Greatness is Overrated

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Justin Locke

Here is a word you probably come across on a fairly regular basis: “great.” You will find innumerable references to great companies, great products, great brands and great managers.

I have no objection to greatness per se, but let’s think about the practical uses – and potential negative effects – of this word.

If greatness is a quality we should all seek to emulate (and many books and articles imply just that), just what does “great” mean? Does it mean a level of business success that anyone can achieve? Or does it imply some magical property, not available to mere mortals like you and I?

One of the problems with the word “great” is that it has so many different meanings. Does it mean financial success? Mastery? A superior mind? A genetic predisposition? If people use the word to define an accomplishment, especially if they suggest that you should seek to achieve it yourself, it would help if they were a little more specific. Otherwise you are left to speculate as to their meaning. What is great to you may not be great to someone else. Greatness, like beauty, is very much in the eye of the beholder.

I shall define great as this and nothing else: a vague reference to something or someone that the majority of people view as having achieved a very high level of success.

One reason the word is used so often is that it can ramp up the impact of a statement. This is a handy way of bolstering your position without having to be terribly specific about what you mean.

While most of us think of greatness as universally good, everything has side effects, and inspirational references to greatness are no exception.

Talk of greatness can be inspiring, but it also has the very real danger of making those of us who are not currently great feel inadequate, inferior and deflated. Lower self-confidence is not likely to inspire you to do things that will make you great yourself. (Seeking any kind of success, large or small, is inextricably linked to your emotional state. Thus, emotionally charged words, even positive ones like “great,” need to be managed with care.)

I once had the honor of working with two people who qualified as being truly great: Arthur Fiedler and John Williams. Fiedler was the greatest Boston Pops Orchestra conductor ever, and Williams is one of the greatest movie music composers ever (and one of the greatest conductors I ever played for as well).

But when I stood next to those people backstage, they seemed to be exceptionally normal and average. I once sat next to Williams on a three-hour plane flight. I was never so bored in my life. (Of course, perhaps one of the reasons he is great is that he doesn’t waste precious limited energy making idle chitchat. Every time I opened my mouth on that flight, I was probably interrupting him while he was writing the theme to Jurassic Park.)